For more than 30 years Anne Clark has held a unique place in contemporary music.
Combining literary, socially engaged texts with innovative and genre-breaking music, she has covered every kind of style, while at the same time maintaining her own identity on each and every recording, whether it be the samples (before sampling became a concept) and electronically treated acoustics of The Sitting Room (1982), to the ground-breaking analogue synth classics of Sleeper In Metropolis (1983) and Our Darkness (1984).
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Anne Clark
For more than 30 years Anne Clark has held a unique place in contemporary music.
Combining literary, socially engaged texts with innovative and genre-breaking music, she has covered every kind of style, while at the same time maintaining her own identity on each and every recording, whether it be the samples (before sampling became a concept) and electronically treated acoustics of The Sitting Room (1982), to the ground-breaking analogue synth classics of Sleeper In Metropolis (1983) and Our Darkness (1984).
Track #8 from our album "The Scapegoat's Agony":
Still in thrall to his all-encompassing insanity, the unnamed antihero gives in to his more megalomaniacal impulses as he assumes the treacherous persona of a Christ-like would-be saviour.more
Track #13 from our album "The Scapegoat's Agony":
In his final reckoning with his alleged tormentors, the unnamed antihero paints a vivid picture of some of the trials and tribulations awaiting his long-time abusers in the afterlife.more